This Place: 150 Years Retold
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Explores the past 150 years through the eyes of Indigenous creators in this graphic novel anthology. These stories are an emotional and enlightening journey through Indigenous wonderworks, psychic battles, and time travel. See how Indigenous peoples have survived a post-apocalyptic world since Contact.
Notable Native People
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An accessible and educational illustrated book profiling 50 notable American Indian, Alaska Native, and Native Hawaiian people, from NBA star Kyrie Irving of the Standing Rock Lakota to Wilma Mankiller, the first female principal chief of the Cherokee Nation. Celebrate the lives, stories, and contributions of Indigenous artists, activists, scientists, athletes, and other changemakers in this illustrated collection. Also offers accessible primers on important Indigenous issues, from the legacy of colonialism and cultural appropriation to food sovereignty, land and water rights, and more. An indispensable read for people of all backgrounds seeking to learn about Native American heritage, histories, and cultures, Notable Native People will educate and inspire readers of all ages.
Indigenous Memory, Urban Reality: Stories of American Indian Relocation and Reclamation
Drawing on ethnographic research, this book explores different experiences of urban Native identity across two pan-Indian communities in NE Ohio. In addition to elucidating how false memories of Indian-ness invisibilize and overwrite the stories and identities of urban Indigenous people, this research reveals the significance of continuous relations with tribal nations to the persistence of Indigenous peoples and perspectives in twenty-first century US society.
Why Indigenous Literatures Matter
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It's about Indigenous literatures and underscores their significance to Indigenous peoples in the realm of the political, the creative, and the intellectual. It challenges readers to examine their assumptions about Indigenous literatures and at the same time asserts the emotional connections of our shared humanity and the transformative power of story.
This Accident of Being Lost
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This Accident of Being Lost is the knife-sharp new collection of stories and songs from award-winning Nishnaabeg storyteller and writer Leanne Betasamosake Simpson. These visionary pieces build upon Simpson's powerful use of the fragment as a tool for intervention in her critically acclaimed collection Islands of Decolonial Love.
A crow watches over a deer addicted to road salt; Lake Ontario floods Toronto to remake the world while texting “ARE THEY GETTING IT?”; lovers visit the last remaining corner of the boreal forest; three comrades guerrilla-tap maples in an upper middle-class neighbourhood; and Kwe gets her firearms license in rural Ontario. Blending elements of Nishnaabeg storytelling, science fiction, contemporary realism, and the lyric voice, This Accident of Being Lost burns with a quiet intensity, like a campfire in your backyard, challenging you to reconsider the world you thought you knew.
Native American Storytelling: A Reader of Myths and Legends
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The myths and legends in this book have been selected both for their excellence as stories and because they illustrate the distinctive nature of Native American storytelling.
Valuing Local Knowledge: Indigenous People and Intellectual Property Rights
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Experts from around the world examine an innovative proposal to promote both cultural survival and biological conservation: treating cultural and indigenous knowledge as a form of intellectual property.
Currently the focus of a heated debate among indigenous peoples, human rights advocates, crop breeders, pharmaceutical companies, conservationists, social scientists, and lawyers, the proposal would allow impoverished people in biologically rich areas to realize an economic return from resources under their care. Mone-tary compensation could both validate their knowledge and provide them with an equitable reward for sharing it, thereby compensating biological stewardship and encouraging conservation.
Valuing Local Knowledge presents case studies of programs that recognize indigenous rights, and brings direct experience to bear on the international debate over intellectual property, conservation, and indigenous rights.
The Oxford Handbook of Indigenous American Literature
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Over the course of the last twenty years, Native American and Indigenous American literary studies has experienced a dramatic shift from a critical focus on identity and authenticity to the intellectual, cultural, political, historical, and tribal nation contexts from which these Indigenous literatures emerge. The Oxford Handbook of Indigenous American Literature reflects on these changes and provides a complete overview of the current state of the field.
A Snake Falls to Earth
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Nina is a Lipan girl in our world. She's always felt there was something more out there. She still believes in the old stories. Oli is a cottonmouth kid, from the land of spirits and monsters. Like all cottonmouths, he's been cast from home. He's found a new one on the banks of the bottomless lake. Nina and Oli have no idea the other exists. But a catastrophic event on Earth, and a strange sickness that befalls Oli's best friend, will drive their worlds together in ways they haven't been in centuries. And there are some who will kill to keep them apart.
We Are Water Protectors
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Inspired by the many Indigenous-led movements across North America, We Are Water Protectors issues an urgent rallying cry to safeguard the Earth's water from harm and corruption--a bold and lyrical picture book written by Carole Lindstrom and vibrantly illustrated by Michaela Goade. Water is the first medicine. It affects and connects us all. When a black snake threatens to destroy the Earth and poison her people's water, one young water protector takes a stand to defend Earth's most sacred resource.
Warrior Girl Unearthed
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Perry Firekeeper-Birch was ready for her Summer of Slack but instead, after a fender bender that was entirely not her fault, she's stuck working to pay back her Auntie Daunis for repairs to the Jeep. Thankfully she has the other outcasts of the summer program, Team Misfit Toys, and even her twin sister Pauline. Together they ace obstacle courses, plan vigils for missing women in the community, and make sure summer doesn't feel so lost after all. But when she attends a meeting at a local university, Perry learns about the "Warrior Girl", an ancestor whose bones and knife are stored in the museum archives, and everything changes. Perry has to return Warrior Girl to her tribe. Determined to help, she learns all she can about NAGPRA, the federal law that allows tribes to request the return of ancestral remains and sacred items. The university has been using legal loopholes to hold onto Warrior Girl and twelve other Anishinaabe ancestors' remains, and Perry and the Misfits won't let it go on any longer. Using all of their skills and resources, the Misfits realize a heist is the only way to bring back the stolen artifacts and remains for good. But there is more to this repatriation than meets the eye as more women disappear and Pauline's perfectionism takes a turn for the worse. As secrets and mysteries unfurl, Perry and the Misfits must fight to find a way to make things right--for the ancestors and for their community.
Night of the Living Rez
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Set in a Native community in Maine, Night of the Living Rez is a riveting debut collection about what it means to be Penobscot in the twenty-first century and what it means to live, to survive, and to persevere after tragedy. In twelve striking, luminescent stories, author Morgan Talty--with searing humor, abiding compassion, and deep insight--breathes life into tales of family and a community as they struggle with a painful past and an uncertain future. A boy unearths a jar that holds an old curse, which sets into motion his family's unraveling; a man, while trying to swindle some pot from a dealer, discovers a friend passed out in the woods, his hair frozen into the snow; a grandmother suffering from Alzheimer's projects the past onto her grandson; and two friends, inspired by Antiques Roadshow, attempt to rob the tribal museum for valuable root clubs. A collection that examines the consequences and merits of inheritance, Night of the Living Rez is an unforgettable portrayal of an Indigenous community and marks the arrival of a standout talent in contemporary fictionIn her new translation of Kafka’s masterpiece, Susan Bernofsky strives to capture both the humor and the humanity in this macabre tale, underscoring the ways in which Gregor Samsa’s grotesque metamorphosis is just the physical manifestation of his longstanding spiritual impoverishment.
Calling for a Blanket Dance
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Told in a series of voices, Calling for a Blanket Dance takes us into the life of Ever Geimausaddle through the multigenerational perspectives of his family as they face myriad obstacles. His father's injury at the hands of corrupt police, his mother's struggle to hold on to her job and care for her husband, the constant resettlement of the family, and the legacy of centuries of injustice all intensify Ever's bottled-up rage. Meanwhile, all of Ever's relatives have ideas about who he is and who he should be. His Cherokee grandmother urges the family to move across Oklahoma to find security; his grandfather hopes to reunite him with his heritage through traditional gourd dances; his Kiowa cousin reminds him that he's connected to an ancestral past. And once an adult, Ever must take the strength given to him by his relatives to save not only himself but also the next generation of family. How will this young man visualize a place for himself when the world hasn't given him a place to start with?
The Night Watchman
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Based on the extraordinary life of Louis Erdrich's grandfather Patrick Gourneau, who worked as a night watchman and carried the fight against Native dispossession from rural North Dakota all the way to Washington, with lightness and gravity, and unfolds with the elegant prose, sly humor, and depth of feeling of a literary master. Thomas Wazhashk is the night watchman at the jewel-bearing plant, the first factory located near the Turtle Mountain Reservation in rural North Dakota. He is also a Chippewa council member who is trying to understand the consequences of a new "emancipation" bill on its way to the floor of the United States Congress. It is 1953 and he and the other council members know the bill isn't about freedom: Congress is fed up with Inidans. The bill is a "termination" that threatens the rights of Native Americans to their land and their very identity. How can the governnment abandon treaties made in good faith with Native Americans "for as long as the grasses shall grow, and the rivers run"? Since graduating from high school, Pixie Paranteau has insisted that everyone call her Patrice. She makes jewel bearings at the plant, a job that pays barely enough to support her mother and younger brother. Patrice's alcoholic father returns home sporadically to terrorize his wife and children, and to bully Patrice for money. But Patrice needs every penny to follow her beloved older sister, Vera, who moved to the big city of Minneapolis. Vera may have disappeared; she hasn't been in touch in months and is rumored to have had a baby. Determined to find Vera and her child, Patrice makes a fateful trip to Minnesota that introduces her to unexpected forms of exploitation and violence and endangers her life. Thomas and Patrice live in a reservation community. We also come to know young Chippewa boxer Wood Mountain and his mother, Juggie Blue, and Patrice's best friend, Valentine, as well as Hay Stack Barnes, the white high school math teacher and boxing coach who is hopelessly in love with Patrice. In The Night Watchman, Louise Erdrich creates a fictional world populated with memorable characters who are forced to grapple with the worst and best impulses of human nature. Illuminating the loves and lives, the desires and ambitions, of these characters with compassion, wit, and intelligence, The Night Watchman is a majestic work of fiction from one of themost acclaimed writers of our time.
To Shape a Dragon's Breath
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"A young, Indigenous woman enters a colonizer-run dragon academy after bonding with a hatchling--and quickly finds herself at odds with the "approved" way of doing things--in the first book of a brilliant new fantasy series. The remote island of Masquapaug has not seen a dragon in many generations--until fifteen-year-old Anequs finds a dragon's egg and bonds with its hatchling. Her people are delighted, for all remember the tales of the days when dragons lived among them and danced away the storms of autumn, enabling the people to thrive. To them, Anequs is revered: a Person Who Belongs to a Dragon. Unfortunately for Anequs, the Anglish conquerors of her land have a quite different opinion. They have a very specific idea on how a dragon should be raised--and who should be doing the raising--and Anequs does not meet any of their requirements. Only with great reluctance do they allow Anequs to enroll in a proper Anglish dragon school on the mainland. If she cannot succeed there, then her dragon will be destroyed. For a girl with no formal schooling, a non-Anglish upbringing, and a very different understanding of the history of her land challenges abound--both socially and academically. But Anequs is smart and determined, and resolved to learn what she needs to help her dragon, even if it means teaching herself. The one thing she refuses to do, however, is become the meek Anglish miss that everyone expects. For the world needs changing--and Anequs and her dragon are less coming of age in this bold new world than coming to power.
There There
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Twelve Native Americans came to the Big Oakland Powwow for different reasons. Jacquie Red Feather is newly sober and trying to make it back to the family she left behind in shame. Dene Oxendene is pulling his life together after his uncle's death and has come to work the powwow and to honor his uncle's memory. Edwin Frank has come to find his true father. Bobby Big Medicine has come to drum the Grand Entry. Opal Viola Victoria Bear Shield has come to watch her nephew Orvil Red Feather. Orvil has taught himself Indian dance through YouTube videos, and he has come to the powwow to dance in public for the very first time. Tony Loneman is a young Native American boy whose future seems destined to be as bleak as his past, and he has come to the Powwow with darker intentions -- intentions that will destroy the lives of everyone in his path.
One day, the most beloved thief of all arrives—Gentleman, an elegant con man, who carries with him an enticing proposition for Sue: If she wins a position as the maid to Maud Lilly, a naïve gentlewoman, and aids Gentleman in her seduction, then they will all share in Maud’s vast inheritance. Once the inheritance is secured, Maud will be disposed of—passed off as mad, and made to live out the rest of her days in a lunatic asylum.
With dreams of paying back the kindness of her adopted family, Sue agrees to the plan. Once in, however, Sue begins to pity her helpless mark and care for Maud Lilly in unexpected ways...But no one and nothing is as it seems in this Dickensian novel of thrills and reversals.
The Revolt of the Public and the Crisis of Authority in the New Millennium
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n the words of economist and scholar Arnold Kling, "Martin Gurri saw it coming." Technology has categorically reversed the information balance of power between the public and the elites who manage the great hierarchical institutions of the industrial age--government, political parties, the media. The Revolt of the Public tells the story of how insurgencies, enabled by digital devices and a vast information sphere, have mobilized millions of ordinary people around the world. Originally published in 2014, this updated edition of The Revolt of the Public includes an extensive analysis of Donald Trump's improbable rise to the presidency and the electoral triumphs of "Brexit" and concludes with a speculative look forward, pondering whether the current elite class can bring about a reformation of the democratic process, and whether new organizing principles, adapted to a digital world, can arise out of the present political turbulence.
Read Dangerously: The Subversive Power of Literature in Troubled Times
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In October 2016, Azar Nafisi sat down to write a letter to her father, who had been dead for twelve years. That month was the feverish conclusion to a singularly vitriolic presidential campaign; just weeks later, Donald Trump would be elected president of the United States. The years since have been besieged by crises--from the COVID-19 pandemic to a long-overdue reckoning on race in America to the rise of authoritarianism across the globe. Throughout this time, Nafisi continued to write to her father. Ahmad Nafisi, once the mayor of Tehran, survived political imprisonment under the shah. He was also a great lover of books. When Azar was a child, he had taught her how literature can rescue us in times of trauma. Now, suddenly, she was faced with a tremendous test of its power. Azar Nafisi, the memoirist and professor who "reminds us why we read in the first place" (Newsday), makes an irresistible case for reading dangerous books. In an era when America has never been so divided and when onetime adversaries have become actual enemies, fiction, with its tendency toward empathy, understanding, and nuance, offers a path forward toward genuine engagement. To keep our democracy, Nafisi argues, the role of literature is vital. In the great writers of our time--from Toni Morrison to David Grossman to Ta-Nehisi Coates--she finds a tonic for a political environment with "too much ideology and not enough discourse." Drawing on her experiences as a woman and voracious reader living in the Islamic Republic of Iran, her life as an immigrant in the United States, and her role teaching literature in both countries, this galvanizing book probes the most important questions of art, power, and political freedom.
A startling and haunting novel, 1984 creates an imaginary world that is completely convincing from start to finish. No one can deny the novel’s hold on the imaginations of whole generations, or the power of its admonitions—a power that seems to grow, not lessen, with the passage of time.
Bayard Rustin: A Legacy of Protest and Politics
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Celebrates the life and legacy of Bayard Rustin, the civil rights leader behind the 1963 March on Washington for Jobs and Freedom
While we can all recall images of Martin Luther King Jr. giving his “I Have a Dream” speech in front of a massive crowd at Lincoln Memorial, few of us remember the man who organized this watershed nonviolent protest in eight short weeks: Bayard Rustin.
This was far from Rustin’s first foray into the fight for civil rights. As a world-traveling pacifist, he brought Gandhi’s protest techniques to the forefront of US civil rights demonstrations, helped build the Southern Christian Leadership Conference, led the fight for economic justice, and played a deeply influential role in the life of Dr. King by helping to mold him into an international symbol of nonviolent resistance. Rustin’s legacy touches many areas of contemporary life―from civil resistance to violent uprisings, democracy to socialism, and criminal justice reform to war resistance.
Despite these achievements, Rustin was often relegated to the background. He was silenced, threatened, arrested, beaten, imprisoned, and fired from important leadership positions, largely because he was an openly gay man in a fiercely homophobic era. With expansive, searching, and sometimes critical essays from a range of esteemed writers―including Rustin’s own partner, Walter Naegle―this volume draws a full picture of Bayard Rustin: a gay, pacifist, socialist political radical who changed the course of US history and set a precedent for future civil rights activism, from LGBTQ+ Pride to Black Lives Matter.
Protesting Affirmative Action: The Struggle Over Inequality after the Civil Rights Revolution
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A lightning rod for liberal and conservative opposition alike, affirmative action has proved one of the more divisive issues in the United States over the past five decades. The author here offers a thoughtful study of early opposition to the nation's race and gender-sensitive hiring and promotion programs in higher education and the workplace. This story begins more than fifteen years before the 1978 landmark U.S. Supreme Court case Regents of the University of California v. Bakke. Partisans attacked affirmative action almost immediately after it first appeared in the 1960s. Liberals in the opposition movement played an especially significant role. While not completely against the initiative, liberal opponents strove for "soft" affirmative action (recruitment, financial aid, remedial programs) and against "hard" affirmative action (numerical goals, quotas). In the process of balancing ideals of race and gender equality with competing notions of colorblindness and meritocracy, they even borrowed the language of the civil rights era to make far-reaching claims about equality, justice, and citizenship in their anti-affirmative action rhetoric. The author traces this conflict through compelling case studies of real people and real jobs. He asks what the introduction of affirmative action meant to the careers and livelihoods of Seattle steelworkers, New York asbestos handlers, St. Louis firemen, Detroit policemen, City University of New York academics, and admissions counselors at the University of Washington Law School. Through their experiences, he examines the diverse reactions to affirmative action, concluding that workers had legitimate grievances against its hiring and promotion practices. In studying this phenomenon, the author deepens our understanding of American democracy and neoconservatism in the late twentieth century and shows how the liberals' often contradictory positions of the 1960s and 1970s reflect the conflicted views about affirmative action many Americans still hold today.
Heartbreaking, funny, and beautifully written, The Absolutely True Diary of a Part-Time Indian, based on the author's own experiences and coupled with poignant drawings by Ellen Forney that reflect the character's art, chronicles the contemporary adolescence of one Native American boy as he attempts to break away from the life he was destined to live.
Protest State: The Rise of Everyday Contention in Latin America
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Why is social protest a normal, almost routine form of political participation in certain Latin American democracies, but not others? In light of surging protests in countries like Argentina, Brazil, and Peru, this book answers this question through a focus on recent trends in the quality of governance and socioeconomic development in the region. Specifically, it argues that increasingly engaged citizenries -- forged by economic growth and technological advances -- coupled with dysfunctional political institutions have fueled more radical modes of participation in Latin America, as citizens' demands for government responsiveness have overwhelmed many regimes' capacity to provide it. Where weak institutions and politically engaged citizenries collide, countries can morph into "protest states," where contentious participation becomes so common as to render it a conventional characteristic of everyday political life. Drawing on cross-national surveys from Latin America and a case study of Argentina, which includes a rich dataset of protest events and dozens of interviews with political elites and citizen activists, Mason W. Moseley tests his explanation against other leading theories in the contentious politics literature. But rather than emphasizing how worsening economic conditions and mounting grievances fuel protest, this book builds the case that it is actually the improvement of economic conditions amidst low quality political institutions that lies at the root of surging contention in the region. Protest State offers a comprehensive study of one of the most intriguing puzzles in Latin American politics today: in the midst of an unprecedented era of democratic governments and economic prosperity, why are so many people protesting?
The Tuskegee Student Uprising: A History
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The Tuskegee Institute, one of the nation's most important historically Black colleges, is primarily known for its World War II pilot training program, a fateful syphilis experiment, and the work of its founder, Booker T. Washington. In The Tuskegee Student Uprising, Brian Jones explores an important yet understudied aspect of the campus's history: its radical student activism. Drawing upon years of archival research and interviews with former students, professors, and administrators, Brian Jones provides an in-depth account of one of the most dynamic student movements in United States history. The book takes the reader through Tuskegee students' process of transformation and intellectual awakening as they stepped off campus to make unique contributions to southern movements for democracy and civil rights in the 1960s. In 1966, when one of their classmates was murdered by a white man in an off-campus incident, Tuskegee students began organizing under the banner of Black Power and fought for sweeping curricular and administrative reforms on campus. In 1968, hundreds of students took the Board of Trustees hostage and presented them with demands to transform Tuskegee Institute into a "Black University." This explosive movement was thwarted by the arrival of the Alabama National Guard and the school's temporary closure, but the students nevertheless claimed an impressive array of victories. Jones retells these and other events in relation to the broader landscape of social movements in those pivotal years, as well as in connection to the long pattern of dissent and protest within the Tuskegee Institute community, stretching back to the 19th century. A compelling work of scholarship, The Tuskegee Student Uprising is a must-read for anyone interested in student activism and the Black freedom movement.
In her hands, personal history becomes a work of amazing subtlety and power, written with controlled force and enlivened with humor, rich literary allusion, and heartbreaking detail.
Which Side Are You On? : 20th Century American History in 100 Protest Songs
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When he emerged from the nightclubs of Greenwich Village, Bob Dylan was often identified as a "protest" singer. As early as 1962, however, Dylan was already protesting the label: "I don't write no protest songs," he told his audience on the night he debuted "Blowin' in the Wind." "Protest" music is largely perceived as an unsubtle art form, a topical brand of songwriting that preaches to the converted. But popular music of all types has long given listeners food for thought. Fifty years before Vietnam, before the United States entered World War I, some of the most popular sheet music in the country featured anti-war tunes. The labor movement of the early decades of the century was fueled by its communal "songbook." The Civil Rights movement was soundtracked not just by the gorgeous melodies of "Strange Fruit" and "A Change Is Gonna Come," but hundreds of other gospel-tinged ballads and blues. In 'Which Side Are You On', author James Sullivan delivers a lively anecdotal history of the progressive movements that have shaped the growth of the United States, and the songs that have accompanied and defined them. Covering one hundred years of social conflict and progress across the twentieth century and into the early years of the twenty-first, this book reveals how protest songs have given voice to the needs and challenges of a nation and asked its citizens to take a stand - asking the question "Which side are you on?"
A People's Art History of the United States: 250 Years of Activist Art and Artists Working in Social Justice Movements
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Most people outside of the art world view art as something that is foreign to their experiences and everyday lives. A People's Art History of the United States places art history squarely in the rough-and-tumble of politics, social struggles, and the fight for justice from the colonial era through the present day. Author and radical artist Nicolas Lampert combines historical sweep with detailed examinations of individual artists and works in a politically charged narrative that spans the conquest of the Americas, the American Revolution, slavery and abolition, western expansion, the suffragette movement and feminism, civil rights movements, environmental movements, LGBT movements, antiglobalization movements, contemporary antiwar movements, and beyond. A People's Art History of the United States introduces us to key works of American radical art alongside dramatic retellings of the histories that inspired them. Stylishly illustrated with over two hundred images, this book is nothing less than an alternative education for anyone interested in the powerful role that art plays in our society.
The Political Aesthetics of Global Protest
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From Egypt to India, and from Botswana to London, worker, youth and middle class rebellions have taken on the political and bureaucratic status quo. When most people can no longer earn a decent wage, they pit themselves against the privilege of small, wealthy and often corrupt elites. A remarkable feature of the protests from the Arab Spring onwards has been the salience of images, songs, videos, humour, satire and dramatic performances. This collection explores the central role the aesthetic played in energising the massive mobilisations of young people, the disaffected, the middle classes and the apolitical silent majority. Discover how it fuelled solidarities and alliances among democrats, workers, trade unions, civil rights activists and opposition parties.
It Was Like a Fever: Storytelling in Protest and Politics
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Activists and politicians have long recognized the power of a good story to move people to action. In early 1960 four black college students sat down at a whites-only lunch counter in Greensboro, North Carolina, and refused to leave. Within a month sit-ins spread to thirty cities in seven states. Student participants told stories of impulsive, spontaneous action—this despite all the planning that had gone into the sit-ins. “It was like a fever,” they said.
Francesca Polletta’s It Was Like a Fever sets out to account for the power of storytelling in mobilizing political and social movements. Drawing on cases ranging from sixteenth-century tax revolts to contemporary debates about the future of the World Trade Center site, Polletta argues that stories are politically effective not when they have clear moral messages, but when they have complex, often ambiguous ones. The openness of stories to interpretation has allowed disadvantaged groups, in particular, to gain a hearing for new needs and to forge surprising political alliances. But popular beliefs in America about storytelling as a genre have also hurt those challenging the status quo.
A rich analysis of storytelling in courtrooms, newsrooms, public forums, and the United States Congress, It Was Like a Fever offers provocative new insights into the dynamics of culture and contention.
June Fourth: The Tiananmen Protests and Beijing Massacre of 1989
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The Tiananmen protests and Beijing massacre of 1989 were a major turning point in recent Chinese history. In this new analysis of 1989, Jeremy Brown tells the vivid stories of participants and victims, exploring the nationwide scope of the democracy movement and the brutal crackdown that crushed it. At each critical juncture in the spring of 1989, demonstrators and decision makers agonized over difficult choices and saw how events could have unfolded differently. The alternative paths that participants imagined confirm that bloodshed was neither inevitable nor necessary. Utilizing a wide range of previously untapped sources and examining how ordinary citizens throughout China experienced the crackdown after the massacre, this ambitious social history sheds fresh light on events that continue to reverberate in China to this day.
This Changes Everything: Occupy Wall Street and the 99% Movement
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We Are the 99%. The Occupy Wall Street movement named the core issue of our time: the overwhelming power of Wall Street and large corporations, something the political establishment and most media have long ignored. But the movement goes far beyond this critique. This book shows how the movement is shifting the way people view themselves and the world, the kind of society they believe is possible, and their own involvement in creating a society that works for the 99% rather than just the 1%. Attempts to pigeonhole this decentralized, fast-evolving movement have led to confusion and misperception. In this volume, the editors of YES! Magazine bring together voices from inside and outside the protests to convey the issues, possibilities, and personalities associated with the Occupy Wall Street movement. This book features contributions from Naomi Klein, David Korten, Rebecca Solnit, Ralph Nader, and others, as well as Occupy activists who were there from the beginning, such as David Graeber, Marina Sitrin and Hena Ashraf. It offers insights for those actively protesting or expressing support for the movement, and for the millions more who sympathize with the goal of a more equitable and democratic future.
Pussy Hats, Politics, and Public Protest
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The 2016 US presidential campaign and its aftermath provoked an array of protests notable for their use of humor, puns, memes, and graphic language. During the campaign, a video surfaced of then-candidate Donald Trump's lewd use of the word "pussy"; in response, many women have made the issue and the term central to the public debate about women's bodies and their political, social, and economic rights. Focusing on the women-centered aspects of the protests that started with the 2017 Women's March, Pussy Hats, Politics, and Public Protest deals with the very public nature of that surprising, grassroots spectacle and explores the relationship between the personal and the political in the protests. Contributors to this edited collection use a folkloristic lens to engage with the signs, memes, handmade pussy hats, and other items of material culture that proliferated during the march and in subsequent public protests. Contributors explore how this march and others throughout history have employed the social critique functions and features of carnival to stage public protests; how different generations interacted and acted in the march; how perspectives on inclusion and citizenship influenced and motivated participation; how women-owned businesses and their dedicated patrons interacted with the election, the march, and subsequent protests; how popular belief affects actions and reactions, regardless of some objective notion of truth; and how traditionally female crafts and gifting behavior strengthened and united those involved in the march.
Hands up, Don't Shoot: Why the Protests in Ferguson and Baltimore Matter, and How They Changed America
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Following the high-profile deaths of eighteen-year-old Michael Brown in Ferguson, Missouri, and twenty-five-year-old Freddie Gray in Baltimore, Maryland, both cities erupted in protest over the unjustified homicides of unarmed black males at the hands of police officers. These local tragedies--and the protests surrounding them--assumed national significance, igniting fierce debate about the fairness and efficacy of the American criminal justice system. Yet, outside the gaze of mainstream attention, how do local residents and protesters in Ferguson and Baltimore understand their own experiences with race, place, and policing? In Hands Up, Don't Shoot, Jennifer Cobbina draws on in-depth interviews with nearly two hundred residents of Ferguson and Baltimore, conducted within two months of the deaths of Brown and Gray. She examines how protesters in both cities understood their experiences with the police, how those experiences influenced their perceptions of policing, what galvanized Black Lives Matter as a social movement, and how policing tactics during demonstrations influenced subsequent mobilization decisions among protesters. Ultimately, she humanizes people's deep and abiding anger, underscoring how a movement emerged to denounce both racial biases by police and the broader economic and social system that has stacked the deck against young black civilians.
Standing with Standing Rock: Voices from the #NoDAPL Movement
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Amid the Standing Rock movement to protect the land and the water that millions depend on for life, the Oceti Sakowin (the Dakota, Nakota, and Lakota people) reunited. Through poetry and prose, essays, photography, interviews, and polemical interventions, the contributors reflect on Indigenous history and politics and on the movement's significance. Their work challenges our understanding of colonial history not simply as "lessons learned" but as essential guideposts for activism.
Waves of Protest: Social Movements Since the Sixties
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This book updates and adds to the classic Social Movements of the Sixties and Seventies, showing how social movement theory has grown and changed—from an earlier emphasis on collective behavior, to the resource mobilization approach, and currently to analyses that emphasize culture, ideology, and collective identity. Top social scientists combine insiders' insights with critical analyses to examine a wide variety of social movements active in the most recent U.S. cycle of protest. Waves of Protest is a must-read for students of social movements, social change, political sociology, and American studies.
The Revolution Will Not Be Televised: Protest Music After Fukushima
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Nuclear power has been a contentious issue in Japan since the 1950s, and in the aftermath of the Fukushima nuclear power plant disaster, the conflict has only grown. Government agencies and the nuclear industry continue to push a nuclear agenda, while the mainstream media adheres to the official line that nuclear power is Japans future. Public debate about nuclear energy is strongly discouraged. Nevertheless, antinuclear activism has swelled into one of the most popular and passionate movements in Japan, leading to a powerful wave of protest music. The Revolution Will Not Be Televised: Protest Music After Fukushima shows that music played a central role in expressing antinuclear sentiments and mobilizing political resistance in Japan. Combining musical analysis with ethnographic participation, author Noriko Manabe offers an innovative typology of the spaces central to the performance of protest music--cyberspace, demonstrations, festivals, and recordings. She argues that these four spaces encourage different modes of participation and methods of political messaging. The openness, mobile accessibility, and potential anonymity of cyberspace have allowed musicians to directly challenge the ethos of silence that permeated Japanese culture post-Fukushima. Moving from cyberspace to real space, Manabe shows how the performance and reception of music played at public demonstrations are shaped by the urban geographies of Japanese cities. While short on open public space, urban centers in Japan offer protesters a wide range of governmental and commercial spaces in which to demonstrate, with activist musicians tailoring their performances to the particular landscapes and soundscapes of each. Music festivals are a space apart from everyday life, encouraging musicians and audience members to freely engage in political expression through informative and immersive performances. Conversely, Japanese record companies and producers discourage major-label musicians from expressing political views in recordings, forcing antinuclear musicians to express dissent indirectly: through allegories, metaphors, and metonyms. The first book on Japans antinuclear music, The Revolution Will Not Be Televised provides a compelling new perspective on the role of music in political movements.
